{"id":1736,"date":"2021-09-27T11:15:05","date_gmt":"2021-09-27T14:15:05","guid":{"rendered":"https:\/\/www.jornadaebpmg.com.br\/2021\/?page_id=1736"},"modified":"2021-10-04T09:06:00","modified_gmt":"2021-10-04T12:06:00","slug":"ecos-4","status":"publish","type":"page","link":"https:\/\/www.jornadaebpmg.com.br\/2021\/ecos-4\/","title":{"rendered":"ECOS 4"},"content":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_column_text]<div id=\"mega-menu-wrap-max_mega_menu_1\" class=\"mega-menu-wrap\"><div class=\"mega-menu-toggle\"><div class=\"mega-toggle-blocks-left\"><\/div><div class=\"mega-toggle-blocks-center\"><\/div><div class=\"mega-toggle-blocks-right\"><div class='mega-toggle-block mega-menu-toggle-animated-block mega-toggle-block-0' id='mega-toggle-block-0'><button aria-label=\"Toggle Menu\" class=\"mega-toggle-animated mega-toggle-animated-slider\" type=\"button\" aria-expanded=\"false\">\n                  <span class=\"mega-toggle-animated-box\">\n                    <span class=\"mega-toggle-animated-inner\"><\/span>\n                  <\/span>\n                <\/button><\/div><\/div><\/div><ul id=\"mega-menu-max_mega_menu_1\" class=\"mega-menu max-mega-menu mega-menu-horizontal mega-no-js\" data-event=\"hover_intent\" data-effect=\"fade_up\" data-effect-speed=\"200\" data-effect-mobile=\"slide\" data-effect-speed-mobile=\"200\" data-mobile-force-width=\"false\" data-second-click=\"go\" data-document-click=\"collapse\" data-vertical-behaviour=\"accordion\" data-breakpoint=\"768\" data-unbind=\"true\" data-mobile-state=\"collapse_all\" data-hover-intent-timeout=\"300\" data-hover-intent-interval=\"100\"><li class='mega-dropdown-toggle mega-dropdown mega-drop-menu mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-has-children mega-align-bottom-left mega-menu-flyout mega-menu-item-532 dropdown-toggle dropdown drop-menu' id='mega-menu-item-532'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/fazer-se-um-corpo\/\" aria-haspopup=\"true\" aria-expanded=\"false\" tabindex=\"0\">Fazer-se um corpo<span class=\"mega-indicator\"><\/span><\/a>\n<ul class=\"mega-sub-menu\">\n<li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-608' id='mega-menu-item-608'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/fazer-se-um-corpo\/uom-o-corpo-que-se-tem\/\">UOM, o corpo que se tem<\/a><\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-607' id='mega-menu-item-607'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/fazer-se-um-corpo\/acontecimentos-de-corpo\/\">Acontecimentos de corpo<\/a><\/li><\/ul>\n<\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-has-children mega-align-bottom-left mega-menu-flyout mega-menu-item-1341' id='mega-menu-item-1341'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/transferencia-e-corpo-do-analista\/\" aria-haspopup=\"true\" aria-expanded=\"false\" tabindex=\"0\">Transfer\u00eancia e corpo do analista<span class=\"mega-indicator\"><\/span><\/a>\n<ul class=\"mega-sub-menu\">\n<li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-611' id='mega-menu-item-611'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/transferencia-e-corpo-do-analista\/presenca-do-analista\/\">Presen\u00e7a do Analista<\/a><\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-610' id='mega-menu-item-610'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/transferencia-e-corpo-do-analista\/amor\/\">Amor<\/a><\/li><\/ul>\n<\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-has-children mega-align-bottom-left mega-menu-flyout mega-menu-item-560' id='mega-menu-item-560'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/interpretacao-no-tempo-do-falasser\/\" aria-haspopup=\"true\" aria-expanded=\"false\" tabindex=\"0\">Interpreta\u00e7\u00e3o no tempo do falasser<span 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mega-menu-item-type-custom mega-menu-item-object-custom mega-menu-item-has-children mega-align-bottom-left mega-menu-flyout mega-menu-item-2231' id='mega-menu-item-2231'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/sexo-como-acontecimento\/\" aria-haspopup=\"true\" aria-expanded=\"false\" tabindex=\"0\">Sexo como acontecimento<span class=\"mega-indicator\"><\/span><\/a>\n<ul class=\"mega-sub-menu\">\n<li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-617' id='mega-menu-item-617'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/sexo-como-acontecimento\/trauma\/\">Trauma<\/a><\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-616' id='mega-menu-item-616'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/sexo-como-acontecimento\/heteros\/\">H\u00e9teros<\/a><\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-615' id='mega-menu-item-615'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/sexo-como-acontecimento\/sexuacao\/\">Sexua\u00e7\u00e3o<\/a><\/li><\/ul>\n<\/li><li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-has-children mega-align-bottom-left mega-menu-flyout mega-menu-item-1342' id='mega-menu-item-1342'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/o-que-faz-sintoma-para-um-corpo-nova-escrita-do-sintoma\/\" aria-haspopup=\"true\" aria-expanded=\"false\" tabindex=\"0\">O que faz sintoma para um corpo<span class=\"mega-indicator\"><\/span><\/a>\n<ul class=\"mega-sub-menu\">\n<li class='mega-menu-item mega-menu-item-type-post_type mega-menu-item-object-page mega-menu-item-619' id='mega-menu-item-619'><a class=\"mega-menu-link\" href=\"https:\/\/www.jornadaebpmg.com.br\/2021\/o-que-faz-sintoma-para-um-corpo-nova-escrita-do-sintoma\/corpo\/\">Corpo<\/a><\/li><\/ul>\n<\/li><\/ul><\/div>[\/vc_column_text][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][uncode_index el_id=&#8221;index-799013&#8243; isotope_mode=&#8221;fitRows&#8221; 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text_color=&#8221;color-845588&#8243;]Playlist[\/vc_custom_heading][vc_separator sep_color=&#8221;color-845588&#8243; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_column_text]<div\n    id=\"h5ap-player-1\"\n    data-id=\"h5ap-player-1\"\n    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   class=\"wp-block-h5ap-tailwind wp-block-h5ap-audioplayer\">\n    <\/div>[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_weight=&#8221;500&#8243; text_color=&#8221;color-jevc&#8221;]THE BLACK RIVER (1991)[\/vc_custom_heading][vc_column_text]<em>Apresentado por <i>Juliana Meirelles<\/i><\/em>[\/vc_column_text][vc_column_text]Gavin Bryars \u00e9 compositor e contrabaixista ingl\u00eas. Trabalhou com jazz, improvisa\u00e7\u00e3o livre, minimalismo, historicismo, vanguarda e m\u00fasica experimental. A pe\u00e7a Black River faz parte de uma s\u00e9rie de obras que tomam textos ou imagens da obra de Julio Verne. Aqui o texto \u00e9 retirado de 20.000 mil L\u00e9guas Submarinas, uma se\u00e7\u00e3o na qual o Professor Aronnax descreve a cena fora do Nautilus, onde in\u00fameras variedades de criaturas marinhas escoltam o submarino ao longo da corrente do misterioso Rio Negro subaqu\u00e1tico. A pe\u00e7a foi escrita para um concerto dado pelo organista Christopher Bowers-Broadbent na Catedral de Lancester em janeiro de 1991 e posteriormente gravada por ele com a soprano Sarah Leonard para ECM New Series em 1993.[\/vc_column_text][\/vc_column][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;3&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;4&#8243; mobile_width=&#8221;7&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;300&#8243; animation_delay=&#8221;100&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;color-845588&#8243;]Picha\u00e7\u00e3o[\/vc_custom_heading][vc_separator sep_color=&#8221;color-845588&#8243; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; align_horizontal=&#8221;align_center&#8221; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;1760&#8243; media_lightbox=&#8221;yes&#8221; media_width_percent=&#8221;60&#8243; alignment=&#8221;center&#8221;][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h5&#8243; text_color=&#8221;color-jevc&#8221;]Obra: Arthur Barreto Garrocho[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;4&#8243; mobile_width=&#8221;7&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;300&#8243; animation_delay=&#8221;100&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;accent&#8221;]Recita\u00e7\u00e3o[\/vc_custom_heading][vc_separator sep_color=&#8221;accent&#8221; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner][vc_column_inner column_width_percent=&#8221;70&#8243; gutter_size=&#8221;3&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_single_image media=&#8221;1786&#8243; media_width_percent=&#8221;100&#8243;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;4&#8243; mobile_width=&#8221;7&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;300&#8243; animation_delay=&#8221;100&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;color-845588&#8243;]V\u00eddeos[\/vc_custom_heading][vc_separator sep_color=&#8221;accent&#8221; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;2&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;1765&#8243; media_width_percent=&#8221;100&#8243; alignment=&#8221;center&#8221;][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_weight=&#8221;500&#8243; text_color=&#8221;color-jevc&#8221;]GAGA, O AMOR PELA DAN\u00c7A[\/vc_custom_heading][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h5&#8243; text_color=&#8221;color-jevc&#8221;]Dire\u00e7\u00e3o: Tomer Hayman[\/vc_custom_heading][vc_empty_space empty_h=&#8221;1&#8243;][vc_column_text]<em>Apresentado por <i>Juliana Meirelles<\/i><\/em>[\/vc_column_text][vc_column_text] A linguagem do movimento GAGA foi criada por Ohad Naharin, ex-dan\u00e7arino de Martha Graham e diretor art\u00edstico da Batsheva Dance Company em 1990. Os alunos de Gaga improvisam seus movimentos com base na experi\u00eancia som\u00e1tica e nas imagens descritas pelo professor, o que fornece uma estrutura que promove o movimento n\u00e3o convencional.[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;2&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243; row_name=&#8221;ecolalias&#8221;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; position_vertical=&#8221;bottom&#8221; gutter_size=&#8221;3&#8243; back_color=&#8221;color-108401&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; css_animation=&#8221;bottom-t-top&#8221; animation_speed=&#8221;300&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;2&#8243;][vc_custom_heading heading_semantic=&#8221;h1&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h1&#8243; text_color=&#8221;color-xsdn&#8221;]Bibliografia[\/vc_custom_heading][\/vc_column_inner][\/vc_row_inner][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_empty_space empty_h=&#8221;1&#8243;][uncode_index el_id=&#8221;index-799013&#8243; isotope_mode=&#8221;fitRows&#8221; loop=&#8221;size:3|order_by:date|post_type:post|categories:54|taxonomy_count:10&#8243; gutter_size=&#8221;3&#8243; post_items=&#8221;media|featured|onpost|original,date,title,text|excerpt,sep-one|full,link|default|small_size|Leia mais&#8221; screen_lg=&#8221;1000&#8243; screen_md=&#8221;600&#8243; screen_sm=&#8221;480&#8243; single_text=&#8221;lateral&#8221; single_width=&#8221;11&#8243; images_size=&#8221;one-one&#8221; single_image_size=&#8221;3&#8243; single_overlay_color=&#8221;color-108401&#8243; single_overlay_blend=&#8221;multiply&#8221; single_overlay_opacity=&#8221;50&#8243; single_image_anim=&#8221;no&#8221; single_vertical_text=&#8221;middle&#8221; single_padding=&#8221;3&#8243; single_title_family=&#8221;font-185386&#8243; single_title_dimension=&#8221;h3&#8243; single_title_weight=&#8221;500&#8243; custom_order=&#8221;yes&#8221; order_ids=&#8221;1772,1798,1776&#8243; el_class=&#8221;botao-salmao&#8221;][vc_empty_space][vc_separator sep_color=&#8221;color-108401&#8243; el_height=&#8221;3px&#8221;][vc_empty_space][vc_row_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_single_image media=&#8221;1780&#8243; media_width_percent=&#8221;100&#8243; alignment=&#8221;center&#8221;][\/vc_column_inner][vc_column_inner width=&#8221;1\/2&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_weight=&#8221;500&#8243; text_color=&#8221;color-jevc&#8221;]Projeto AE N\u00e9 Trem L\u00e1 Vem Bibli Uai[\/vc_custom_heading][vc_column_text]<strong>Comiss\u00e3o de Bibliografia da XXV Jornada \u2013 EBP-MG <\/strong>[\/vc_column_text][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;4&#8243; mobile_width=&#8221;7&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;300&#8243; animation_delay=&#8221;100&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;color-108401&#8243;]Cita\u00e7\u00f5es[\/vc_custom_heading][vc_separator sep_color=&#8221;color-108401&#8243; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;1&#8243;][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;0&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; back_color=&#8221;color-108401&#8243; overlay_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;80&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][vc_single_image media=&#8221;1915&#8243; media_width_percent=&#8221;100&#8243;][vc_column_text]Dyana Santos, Rai\u0301zes, da se\u0301rie Po\u0301 de Estrelas, 2012[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;90&#8243; gutter_size=&#8221;3&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; back_color=&#8221;color-108401&#8243; overlay_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;80&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243;][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243;]MILLER, Jacques-Alain. Os seis paradigmas do gozo. <strong>Op\u00e7\u00e3o Lacaniana<\/strong> <strong>Online<\/strong>, [<em>s. l.<\/em>], ano 3, n. 7, p. 1-49, mar. 2012. Dispon\u00edvel <a href=\"http:\/\/opcaolacaniana.com.br\/pdf\/numero_7\/Os_seis_paradigmas_do_gozo.pdf\">AQUI<\/a>. Acesso em: 23 ago. 2021.[\/vc_custom_heading][vc_column_text]<\/p>\n<blockquote><p>\u201cLacan estruturou o inconsciente da mesma maneira que alguma coisa no aparelho do corpo, da mesma maneira que uma zona er\u00f3gena, como uma borda que se abre e se fecha.\u201d (MILLER, 2012, p. 18)<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c\u00c9 preciso ainda introduzir as propriedades do corpo sexuado, particularmente sua mortalidade, sua rela\u00e7\u00e3o como Outro sexo, sua individualidade, e atrav\u00e9s disso, o que \u00e9 trazido por Lacan como uma perda de vida que comporta, como tal, a exist\u00eancia do corpo do sujeito\u201d (MILLER, 2012, p. 22)<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cH\u00e1 um corpo que fala. H\u00e1 um corpo que goza por diferentes meios, o lugar do gozo \u00e9 sempre o mesmo, o corpo.\u201d (MILLER, 2012, p. 45)<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c<em>A rela\u00e7\u00e3o sexual n\u00e3o existe<\/em> quer dizer que o gozo prov\u00e9m como tal, do regime do Um [&#8230;] ao passo que o gozo sexual [&#8230;] possui o privil\u00e9gio de ser especificado por um impasse, quer dizer, por uma disjun\u00e7\u00e3o e por uma n\u00e3o rela\u00e7\u00e3o.\u201d (MILLER, 2012, p. 47, grifo no original)<\/p>\n<p>&nbsp;<\/p>\n<p>\u201c[&#8230;] o transcendental da estrutura. Transcendental quer dizer, exatamente, o que condiciona a experi\u00eancia, as fronteiras que s\u00e3o colocadas em toda experi\u00eancia poss\u00edvel. [&#8230;] A estrutura comporta furos e, neles, h\u00e1 lugar para inven\u00e7\u00e3o, para algo de novo, para os conectores que n\u00e3o est\u00e3o ali desde sempre.\u201d (MILLER, 2012, p. 48)<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243;]LEGUIL, Clotilde. <strong>O ser e o g\u00eanero<\/strong>: homem\/mulher depois de Lacan. Belo Horizonte: EBP Editora, 2016.[\/vc_custom_heading][vc_column_text]<\/p>\n<blockquote><p><em>\u201cO g\u00eanero, em psican\u00e1lise, \u00e9 concebido para al\u00e9m dos determinismos anat\u00f4micos ou sociol\u00f3gicos. Se, em mat\u00e9ria de g\u00eanero, h\u00e1 determinismo, este \u00e9 de ordem ps\u00edquica e inconsciente.\u201d\u00a0 <\/em><em>(LEGUIL, 2016, p. 90)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u201cA perspectiva do inconsciente permite situar a rela\u00e7\u00e3o do sujeito com sua vida sexual em outra cena que n\u00e3o as da anatomia e da constru\u00e7\u00e3o social.\u201d <\/em><em>(LEGUIL, 2016, p. 91)<\/em><\/p>\n<p>&nbsp;<\/p>\n<p><em>\u201cA perspectiva do inconsciente faz ent\u00e3o do sexo o lugar de um questionamento, que conduz o sujeito a inventar sua pr\u00f3pria rela\u00e7\u00e3o com o g\u00eanero, a partir de sua experi\u00eancia do desejo. As categorias de homem e de mulher, em psican\u00e1lise, n\u00e3o s\u00e3o tanto normas, mas, antes, o resultado de um percurso subjetivo do ser falante a partir de seu pr\u00f3prio interesse em seu desejo.\u201d <\/em><em>(LEGUIL, 2016, p. 95)<\/em><\/p><\/blockquote>\n<p>[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243;]BASSOLS, M. O objeto (a)ssexuado. In: <em>Op\u00e7\u00e3o Lacaniana online nova s\u00e9rie<\/em>, Ano 7. n. 21, 2016. Dispon\u00edvel <a href=\"http:\/\/www.opcaolacaniana.com.br\/pdf\/numero_21\/O_objeto_(a)ssexuado.pdf\">AQUI<\/a>[\/vc_custom_heading][vc_column_text]<\/p>\n<blockquote><p>\u201cEfetivamente, a significa\u00e7\u00e3o do falo, seja por sua presen\u00e7a ou por sua aus\u00eancia, continua sendo aquilo que introduz a diferen\u00e7a no <em>continuum <\/em>do real do sexo, e o que d\u00e1 ao objeto sua significa\u00e7\u00e3o sexual para o sujeito. A multiplicidade dos chamados g\u00eaneros, \u00edndice de novas identifica\u00e7\u00f5es, n\u00e3o poderia ser entendida sem sua refer\u00eancia \u00e0 multiplicidade das significa\u00e7\u00f5es do falo, aos seus v\u00e9us e desvelamentos para significar o desejo. Na falta dessa significa\u00e7\u00e3o, \u00e9 o corpo do sujeito que vir\u00e1 a ser o suporte no real da diferen\u00e7a imposs\u00edvel de simbolizar. O resultado \u00e9 uma esp\u00e9cie de transforma\u00e7\u00e3o cont\u00ednua de um corpo em outro que aboliria a diferen\u00e7a (&#8230;).\u201d (BASSOLS, 2016, [<em>s. p.<\/em>])<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cSe consideramos agora mais de perto os novos simulacros da sexualidade e seus objetos, vemos que essa disjun\u00e7\u00e3o entre o significante do falo e o gozo do corpo aparece de modo mais claro: a significa\u00e7\u00e3o f\u00e1lica vinculada ao desejo do Outro tende hoje a separar-se cada vez mais dos fen\u00f4menos de gozo do corpo considerado como um gozo autista, separado do Outro.\u201d (BASSOLS, 2016, [<em>s. p.<\/em>])<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cEstamos agora em outro registro distinto do registro do significante do falo como significante do desejo do Outro que dava significa\u00e7\u00e3o sexual a esse desejo e a seus objetos; estamos no registro do gozo autista, do gozo Uno que n\u00e3o implica o Outro. No lugar desse Outro, o que o sujeito encontra \u00e9 o objeto que est\u00e1 no n\u00facleo de seu gozo mais ignorado e que \u00e9 finalmente um gozo assexuado, que n\u00e3o est\u00e1 significado pela diferen\u00e7a sexual. \u00c9 esse objeto o que importa realmente na experi\u00eancia anal\u00edtica quando \u00e9 levada ao seu final e \u00e9 o objeto que faz par com o Uno do gozo no sintoma do sujeito.\u201d (BASSOLS, 2016, [<em>s. p.<\/em>])<\/p>\n<p>&nbsp;<\/p>\n<p>\u201cDesde este paradigma, a cl\u00ednica anal\u00edtica n\u00e3o \u00e9 uma cl\u00ednica das identifica\u00e7\u00f5es normativas, onde h\u00e1 tantos g\u00eaneros sexuais quanto uns poss\u00edveis queiram se propor. A cl\u00ednica anal\u00edtica \u00e9 uma cl\u00ednica da escolha do sujeito causada pelo objeto <em>a<\/em>, que \u00e9 um objeto (a)ssexual, um objeto sem Outro, fundado no Um do gozo.\u201d (BASSOLS, 2016, [<em>s. p.<\/em>])<\/p><\/blockquote>\n<p>[\/vc_column_text][vc_column_text]<em>por Rodrigo Almeida e Tatiane Costa<\/em>[\/vc_column_text][vc_button button_color=&#8221;accent&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.jornadaebpmg.com.br%2F2021%2Fwp-content%2Fuploads%2F2021%2F09%2FTexto-CITAC%CC%A7O%CC%83ES-BIBLIOGRAFICAS.pdf|target:_blank&#8221;]ABRIR EM PDF[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;4&#8243; mobile_width=&#8221;7&#8243; css_animation=&#8221;alpha-anim&#8221; animation_speed=&#8221;300&#8243; animation_delay=&#8221;100&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;color-108401&#8243;]Cita\u00e7\u00e3o comentada[\/vc_custom_heading][vc_separator sep_color=&#8221;color-108401&#8243; el_height=&#8221;3px&#8221;][\/vc_column_inner][\/vc_row_inner][vc_row_inner row_inner_height_percent=&#8221;0&#8243; overlay_alpha=&#8221;50&#8243; equal_height=&#8221;yes&#8221; gutter_size=&#8221;0&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column_inner column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; back_color=&#8221;color-108401&#8243; overlay_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;80&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/3&#8243;][vc_single_image media=&#8221;1916&#8243; media_width_percent=&#8221;100&#8243;][vc_column_text]Dyana Santos, Rai\u0301zes, da se\u0301rie Po\u0301 de Estrelas, 2012[\/vc_column_text][\/vc_column_inner][vc_column_inner column_width_percent=&#8221;90&#8243; gutter_size=&#8221;3&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;2&#8243; back_color=&#8221;color-108401&#8243; overlay_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;80&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;2\/3&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_weight=&#8221;500&#8243; text_color=&#8221;color-jevc&#8221;]<\/p>\n<div class=\"page\" title=\"Page 1\">\n<div class=\"layoutArea\">\n<div class=\"column\">\n<p>Adolesce\u0302ncia, ge\u0302nero e acontecimento de corpo: breve comenta\u0301rio a uma citac\u0327a\u0303o<\/p>\n<\/div>\n<\/div>\n<\/div>\n<p>[\/vc_custom_heading][vc_column_text]<em>por Rodrigo Almeida<\/em>[\/vc_column_text][vc_custom_heading heading_semantic=&#8221;h5&#8243; text_size=&#8221;h5&#8243;]FAJNWAKS, Fabian. Lacan e as teorias <em>queer<\/em>: mal-entendidos e desconhecimentos. <em>In<\/em>: SANTIAGO, Ana Lydia <em>et al. <\/em><strong>Mais al\u00e9m do g\u00eanero<\/strong>: corpo adolescente e seus sintomas. Belo Horizonte: Scriptum, 2017. p. 22-40.[\/vc_custom_heading][vc_column_text]A cl\u00ednica com adolescentes evidencia o momento de conflito entre os ideais, as mudan\u00e7as corporais e seus efeitos, imagin\u00e1rios e simb\u00f3licos, na constru\u00e7\u00e3o do corpo, assim como a queda das identifica\u00e7\u00f5es e a constru\u00e7\u00e3o de sua pr\u00f3pria identidade. Se antes a diferen\u00e7a sexual e o binarismo homem\/mulher serviam de b\u00fassola para o sujeito, as quest\u00f5es de identidade e de g\u00eanero v\u00eam, de certa maneira, reorganizar o conjunto dos discursos. Recebemos cada vez mais sujeitos que interrogam sobre o g\u00eanero e suas identifica\u00e7\u00f5es.<\/p>\n<p>Fajnwaks (2017) localiza a adolesc\u00eancia como lugar privilegiado das transforma\u00e7\u00f5es do <em>falasser<\/em> em que \u00e9 interrogada a pr\u00f3pria dimens\u00e3o do que se inscreve no corpo.<\/p>\n<p>&nbsp;<\/p>\n<blockquote><p>A adolesc\u00eancia \u00e9 o terreno privilegiado onde t\u00eam lugar essas transforma\u00e7\u00f5es, onde o acontecimento de corpo, por ela mesma constitu\u00eddo, obriga o falasser a se interrogar sobre a pr\u00f3pria inscri\u00e7\u00e3o no corpo, nesse corpo que pode se lhe tornar estrangeiro por momentos e com o qual o jovem falasser dever\u00e1 negociar para poder habit\u00e1-lo (FAJNWAKS, 2017, p. 38).<\/p><\/blockquote>\n<p>&nbsp;<\/p>\n<p>A ideia do falasser aponta para a rela\u00e7\u00e3o do sujeito com o corpo e com o gozo; o Outro n\u00e3o \u00e9 mais o lugar das identifica\u00e7\u00f5es, em seu lugar est\u00e1 o corpo, o corpo pr\u00f3prio, corpo e gozo se conjugam na identidade daquele que fala. O ser sexuado do falasser \u00e9 o que faz enigma, como seres falantes frente \u00e0 impossibilidade de se identificar com o corpo. O falasser vai sempre criar uma gambiarra, uma esp\u00e9cie de colagem, montagem diante do gozo, partindo sempre do singular na constru\u00e7\u00e3o do corpo. Podemos dizer que a\u00ed est\u00e1 a negocia\u00e7\u00e3o feita pelo sujeito para habitar o corpo que lhe \u00e9 estrangeiro, conforme nos diz o autor.<\/p>\n<p>Sabemos que identidade n\u00e3o \u00e9 um termo da psican\u00e1lise, mas que d\u00e1 um certo enquadramento a cada um no que se articula com a realidade. Num percurso de an\u00e1lise, podemos dizer que as identifica\u00e7\u00f5es que s\u00e3o fornecidas pelo Outro e fornecem significantes que nomeiam identidade caem como as peles da cebola. Sabemos que, ao procurar uma an\u00e1lise atualmente, alguns adolescentes localizam algo que faz vacilar a identidade portada pelo falasser, interrogando a sua inscri\u00e7\u00e3o em seu corpo.<\/p>\n<p>Entre o que h\u00e1 de <em>\u00eaxtimo <\/em>no falasser e a inquietante estranheza, cabe ao analista, pautado pela \u00e9tica da psican\u00e1lise, estar atento ao singular ao acolher a forma como o falasser se apresenta, interrogando sua dimens\u00e3o de sintoma na dire\u00e7\u00e3o do tratamento. A diferen\u00e7a sexual n\u00e3o se inscreve no inconsciente, mas \u00e9 na rela\u00e7\u00e3o com o inconsciente que o sujeito situa sua vida sexual numa outra cena, n\u00e3o se limitando, assim, \u00e0 quest\u00e3o da anatomia e das normas sociais.[\/vc_column_text][vc_button button_color=&#8221;accent&#8221; border_width=&#8221;0&#8243; link=&#8221;url:https%3A%2F%2Fwww.jornadaebpmg.com.br%2F2021%2Fwp-content%2Fuploads%2F2021%2F09%2FTexto-citac%CC%A7a%CC%83o-comentada-RODRIGO-ALMEIDA.pdf|target:_blank&#8221;]ABRIR EM PDF[\/vc_button][\/vc_column_inner][\/vc_row_inner][vc_empty_space empty_h=&#8221;1&#8243;][\/vc_column][\/vc_row][vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;2&#8243; style=&#8221;dark&#8221; back_color=&#8221;color-vyce&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; shift_y_down=&#8221;0&#8243; z_index=&#8221;0&#8243; medium_width=&#8221;0&#8243; mobile_width=&#8221;0&#8243; width=&#8221;1\/1&#8243;][vc_custom_heading heading_semantic=&#8221;h3&#8243; text_font=&#8221;font-185386&#8243; text_size=&#8221;h3&#8243; text_color=&#8221;color-xsdn&#8221;]Agradecimentos[\/vc_custom_heading][vc_column_text]Nossos agradecimentos \u00e0 artista Dyana Santos pelo uso das belas imagens que ilustram o Boletim 4.<\/p>\n<p>Dyana Santos, \u00e9 uma artista-pesquisadora nascida em Belo Horizonte (MG), cidade em que vive e atualmente trabalha.\u00a0Doutoranda, Mestre em Artes Visuais e bacharel em pintura &#8211; com continuidade de estudos em escultura &#8211; pela Escola de Belas Artes da UFMG. Suas pesquisas imag\u00e9ticas contemplam principalmente esculturas, objetos, instala\u00e7\u00f5es, pinturas e desenhos e algumas j\u00e1 conquistaram pr\u00eamios aquisitivos, como: o 1\u00ba Lugar no 16\u00ba Sal\u00e3o Nacional de Arte de Jata\u00ed e no VII Sal\u00e3o Itabirito Regional; participando de exposi\u00e7\u00f5es em Contagem, Belo Horizonte, Nova Lima, Sete Lagoas\/MG, e Jata\u00ed\/GO.\u00a0Em suas pr\u00e1ticas art\u00edsticas, busca suscitar questionamentos e reflex\u00f5es acerca das intersec\u00e7\u00f5es entre o sistema neoliberal, colonial, patriarcal e o g\u00eanero, sob a perspectiva de suas pr\u00f3prias viv\u00eancias.[\/vc_column_text][\/vc_column][\/vc_row]<\/p>\n<div id=\"read_unread\"><\/div>","protected":false},"excerpt":{"rendered":"<p>[vc_row row_height_percent=&#8221;0&#8243; override_padding=&#8221;yes&#8221; h_padding=&#8221;2&#8243; top_padding=&#8221;0&#8243; bottom_padding=&#8221;0&#8243; back_color=&#8221;color-jevc&#8221; overlay_alpha=&#8221;50&#8243; gutter_size=&#8221;3&#8243; column_width_percent=&#8221;100&#8243; shift_y=&#8221;0&#8243; z_index=&#8221;0&#8243;][vc_column column_width_percent=&#8221;100&#8243; gutter_size=&#8221;0&#8243; override_padding=&#8221;yes&#8221; column_padding=&#8221;0&#8243; back_color=&#8221;color-xsdn&#8221; overlay_alpha=&#8221;50&#8243; shift_x=&#8221;0&#8243; shift_y=&#8221;0&#8243; [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":176,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"h5ap_radio_sources":[],"footnotes":""},"class_list":["post-1736","page","type-page","status-publish","has-post-thumbnail","hentry"],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v18.5.1 - https:\/\/yoast.com\/wordpress\/plugins\/seo\/ -->\n<title>ECOS 4 - 25\u00aa Jornada Escola Brasileira de Psican\u00e1lise \u2013 MG<\/title>\n<meta name=\"robots\" content=\"noindex, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<meta property=\"og:locale\" content=\"pt_BR\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"ECOS 4\" \/>\n<meta property=\"og:description\" content=\"O ECOS 4 j\u00e1 est\u00e1 no ar! 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