{"id":628,"date":"2026-06-24T05:31:02","date_gmt":"2026-06-24T05:31:02","guid":{"rendered":"https:\/\/www.jornadaebpmg.com.br\/2026\/?post_type=portfolio&p=628"},"modified":"2026-06-24T10:34:46","modified_gmt":"2026-06-24T10:34:46","slug":"corte-e-costura-3","status":"publish","type":"portfolio","link":"https:\/\/www.jornadaebpmg.com.br\/2026\/portfolio\/corte-e-costura-3\/","title":{"rendered":"Cita\u00e7\u00f5es"},"content":{"rendered":"

[vc_row][vc_column column_width_percent=”100″ gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”207413″][vc_custom_heading text_color=”accent” text_font=”font-175661″ text_size=”h4″ uncode_shortcode_id=”376068″ text_color_type=”uncode-palette”]corte e costura[\/vc_custom_heading][vc_empty_space empty_h=”1″][vc_column_text uncode_shortcode_id=”136621″]<\/p>\n

\u201cO trabalho atrav\u00e9s do qual trazemos \u00e0 consci\u00eancia do paciente o material an\u00edmico recalcado foi por n\u00f3s chamado de Psican\u00e1lise. Por que \u2018an\u00e1lise\u2019, que significa desmembramento, decomposi\u00e7\u00e3o e remete a uma analogia com o trabalho do qu\u00edmico com as subst\u00e2ncias que ele encontra na natureza e leva ao laborat\u00f3rio? Porque uma tal analogia realmente existe em um ponto importante. Os sintomas e as manifesta\u00e7\u00f5es patol\u00f3gicas do paciente s\u00e3o de natureza altamente intrincada, bem como todas as suas atividades an\u00edmicas; os elementos dessa composi\u00e7\u00e3o intrincada s\u00e3o, em \u00faltima inst\u00e2ncia, motivos e mo\u00e7\u00f5es pulsionais. […] Ent\u00e3o lhe ensinamos a entender a composi\u00e7\u00e3o dessas forma\u00e7\u00f5es an\u00edmicas de alta complexidade, remetemos os sintomas \u00e0s mo\u00e7\u00f5es pulsionais que os motivaram, comprovamos nos sintomas esses motores pulsionais at\u00e9 ent\u00e3o desconhecidos do doente, tal como o qu\u00edmico extrai a subst\u00e2ncia de base [Grundstoff<\/em>], o elemento qu\u00edmico em meio ao sal dentro do qual encontrava-se irreconhec\u00edvel por estar associado com outros elementos.\u201d<\/p><\/blockquote>\n

FREUD, S. Caminhos da terapia anal\u00edtica. In: Fundamentos da Cl\u00ednica Psicanal\u00edtica<\/em>. Belo Horizonte: Aut\u00eantica, 2017, p. 191-204. (Trabalho original publicado em 1919). p. 192.<\/p>\n

\u201cPassemos \u00e0 segunda opera\u00e7\u00e3o, onde se fecha a causa\u00e7\u00e3o do sujeito, para nela constatar a estrutura da borda em sua fun\u00e7\u00e3o de limite, bem como na tor\u00e7\u00e3o que motiva a invas\u00e3o do inconsciente. A essa opera\u00e7\u00e3o chamaremos: separa\u00e7\u00e3o. Nela reconheceremos a que Freud denomina de Ichspaltung<\/em> ou fenda do sujeito, e compreenderemos por qu\u00ea, no texto em que Freud a introduz, ele a fundamenta numa fenda n\u00e3o do sujeito, mas do objeto (f\u00e1lico, nomeadamente).\u201d<\/p><\/blockquote>\n

LACAN, J. Posi\u00e7\u00e3o do inconsciente. In: Escritos<\/em>. Rio de Janeiro: Zahar, 1998. (Trabalho originalmente apresentado em 1960, retomado em 1964). p. 856.<\/p>\n

\u201cEsta opera\u00e7\u00e3o segunda \u00e9 t\u00e3o essencial de ser definida quanto a primeira, porque \u00e9 a\u00ed que vamos ver despontar o campo da transfer\u00eancia. Eu a chamarei, introduzindo aqui meu segundo termo, a separa\u00e7\u00e3o<\/em>.<\/p>\n

Separare<\/em>, separar, irei logo ao equ\u00edvoco do se<\/em> parare<\/em>, se parer<\/em>, em todos os sentidos flutuantes que tem em franc\u00eas, tanto tamb\u00e9m vestir-se, quanto defender-se, munir-se do necess\u00e1rio para p\u00f4r-se em guarda, e irei mais longe ainda, no que autorizam os latinistas, ao se parere<\/em>, ao engendrar-se <\/em>de que se trata no caso.\u201d<\/p><\/blockquote>\n

LACAN, J. O Semin\u00e1rio, livro 11: <\/em>Os quatro conceitos fundamentais da psican\u00e1lise. Rio de Janeiro: Jorge Zahar Ed, 1988. (Trabalho original proferido em 1964). p. 202.<\/p>\n

\u201cTamb\u00e9m assinalei que a aliena\u00e7\u00e3o de que se trata aqui \u00e9 uma nova aliena\u00e7\u00e3o em rela\u00e7\u00e3o \u00e0 que antes Lacan havia oposto \u00e0 separa\u00e7\u00e3o. A aliena\u00e7\u00e3o como oposta \u00e0 verdade \u00e9 distinta. […] Segue sendo, contudo, uma aliena\u00e7\u00e3o subjetiva. N\u00e3o se pode conceber uma aliena\u00e7\u00e3o que afetaria o objeto. A aliena\u00e7\u00e3o afeta o sujeito. Pelo contr\u00e1rio, pode-se admitir que a separa\u00e7\u00e3o recai sobre o objeto. […] A antiga aliena\u00e7\u00e3o, tal como Lacan a situa em rela\u00e7\u00e3o \u00e0 separa\u00e7\u00e3o, \u00e9 a aliena\u00e7\u00e3o inconsciente que qualifica o sujeito das forma\u00e7\u00f5es do inconsciente. […] A nova aliena\u00e7\u00e3o \u00e9, pelo contr\u00e1rio, o recha\u00e7o do inconsciente. [\u2026] singular invers\u00e3o de Lacan, que passa da aliena\u00e7\u00e3o significante \u00e0 aliena\u00e7\u00e3o como recha\u00e7o do inconsciente.\u201d<\/p><\/blockquote>\n

MILLER, J.-A. Los cuatro de Lacan: 1,2,3,4. <\/em>Tomo II. Buenos Aires: Paid\u00f3s, 2022. p. 166-167. (tradu\u00e7\u00e3o nossa).[\/vc_column_text][\/vc_column][\/vc_row][vc_row][vc_column column_width_percent=”100″ align_horizontal=”align_center” gutter_size=”2″ overlay_alpha=”50″ shift_x=”0″ shift_y=”0″ shift_y_down=”0″ z_index=”0″ medium_width=”0″ mobile_width=”0″ width=”1\/1″ uncode_shortcode_id=”149691″][vc_button button_color=”color-prif” border_width=”0″ link=”url:https%3A%2F%2Fwww.jornadaebpmg.com.br%2F2026%2Fwp-content%2Fuploads%2F2026%2F06%2FCorte-e-costura-Artefato-3.pdf|target:_blank” button_color_type=”uncode-palette” uncode_shortcode_id=”913552″]BAIXAR TEXTO EM PDF[\/vc_button][\/vc_column][\/vc_row]<\/p>\n<\/div>","protected":false},"excerpt":{"rendered":"

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